Heroes, Runes & Magic Spandex -
In the blood… yeah, I agree with that.
In the blood… yeah, I agree with that.
I love learning…
Let’s talk about Memory, shall we?
It really is a useful faculty - at base level it allows us to navigate to places, perform repetitive actions like walking and talking and remembering the faces of our loved ones. But for storytellers, poets, actors and artists, it is the absolute…
Our Lady of the Forgotten Beasts; guides the ghosts of roadkilled animals to the other side. She can also be found baking, boozing, fucking her consort atop felled trees, cleaning house, and dancing to the filthiest of beats.
That Crow loves his fucking tea, from all reports.
Guess who?
My good friend K - aka unknownbinaries & teratocybernetics - is responsible for this amazing piece of Ms. Dirty necro-art. Quite a few of you old timers’ll probably recognize the significance behind some the iconography used, although you don’t have to be a Graveyard Dirt veteran to recognize the significance of others.
If you’re totally digging this shit and want a piece of quality bespoke action I’m happy to report that K’s currently accepting commissions. As a repeat international customer I can vouch for K’s exceptional professionalism, as a totally unbiased friend - heh! - I can vouch that you’re helping a talented artist live her effin’ dream.
Besides, just look how fucking happy Peck-Man is with its fucking teacup!
* Because this image is so intimately personal I’d really appreciate it if people refrained from using it as their icon - I’m sure you’ll understand why. <3
Men who look this good slay me. The gorgeous bad boys of the world have always been my demise. Gods, save me from another, although I’ve a feeling you won’t. #le sigh
(Source: mylovelylegohouse)
To celebrate the release of FoolishPeople’s first feature film ‘Strange Factories’ later this year, we’re proud to announce a collaboration with David Metcalfe for ‘Entering the Theatre of Manifestation – Unveiling the FoolishPeople’.
David is an independent researcher, writer and…
(Source: jaymiemae, via gordonwhite)
Last week, as part of a cultural discovery project for one of my classes, I spent three days wearing ‘girls’ clothes while going about my day. I wanted to explore the general reaction and preconceptions that people in my city have to clothing, especially in regards to gender. To me, the idea that a piece of fabric or accessory can be so intertwined with who are in our conscious is perplexing. I didn’t want to show off, or offend anyone by my act of curiosity. Rather, I wanted to act as a meticulous observer of the times, to see if the community around me was really as open-minded as I wanted to believe that it was. After all, if such things really only had a place in the realm of high-fashion and in Scottish tradition, then something bigger must be at work.
On the first day, I wore a long-sleeve pink top cropped at the collarbone. I received many compliments, a few glares and even a free Venti gingerbread latte. On the second, I rocked a pink blouse with a high-waisted belt. Again, the same amount of well-wishes, questions and passing eye-rolls. These things were to be expected, as it isn’t necessarily the norm to see someone like me wearing things like these. I felt collected and confident in these modest outfits, seemingly convinced that the world around me could care less about the clothes someone wore. Most affirming was the response to my nails, which were almost always met with a cheerful grin, a high-five and a few words of encouragement.What happened on the third day changed my perspective on humanity forever. I dressed myself as I normally would; band t-shirt, cardigan, plain Vans, etc. However, instead of black jeans, I complimented the outfit with a plain black skirt and matching set of tights. For me, this was a huge step in self-image. Years ago, I was barely confident enough to leave the house for school. These days, the opposite couldn’t be more true. As I set off about my day, the absolute worst in people came out in a full-force flurry of expletives and discomfort. I was ridiculed in whispers. I was mocked in glances. I was obnoxiously and filthily cat-called by a construction crew who, from behind, couldn’t tell that I was a man. Stopping by a bathroom before a lecture, a frat-bro went out of his way to shove me into the adjacent wall after eyeing me up and down on his way out. Expletives and names that might induce me to vomit were I to repeat them, were casually thrown in my direction with almost zero passing thought. By day’s end, I feared a full-on breakdown, unable to stand up for myself or what I believed in to maintain the integrity of the observer’s perspective. In a way, I had no right to feel that way, mostly because of the realization that this is the way that many have to live their lives. I fought back tears as every stare and ill-formed word engrained themselves in my sub-conscious.
Though I may not know you, I think that it’s important that we all come to understand why these things happen. In my book, cat-calling, shaming and harassment are among the worst actions we can engage in. As a heterosexual male, I will never truly know the fear that women may experience while walking home from work, going see a friend for lunch, or being sized-up in public based on their clothing. I will never truly know the gut-rot that a transgender individual may feel while being eyed up and down at the store or in class, strangers seeming to think as if the clothing they see before them begs a legal invitation of ridicule. I will never truly know the plights of these people, but as an ally and a human being invested in true equality, it is now my obligation to stand up for them as if I did.
What scares me the most is not the glances, mixed emotions, or 10-page paper that will inevitably come as a by-product of this project. No, what scares me is that this is the world we live in. We exist in a place where individuals living their truths can be subjected, directly or otherwise, to fear simply for living those truths. We live in an age where feeling ‘normal’ in your own clothing can create unfathomable contention with strangers, despite them having zero investment in their lives. We live in a world where the material, the fabric, the pieces that adorn you are somehow allowed to say more about who you are than the convictions in your heart and the sincerity in your deeds.
I don’t know about you, but I refuse that world. I refuse to let these things overcome the passion and genuine honesty that I’ve been so fortunate to bear witness to in my time. I refuse to let backwards, unprogressive mindsets stifle the glow and drive of those who are undeservingly robbed of it. Don’t say it can’t happen to you. If it happened to me, under the most average of circumstances on the streets in a progressive-leaning city, it could happen to anyone, and that is something I truly do not understand.
After all, it’s just a skirt.
What is it about a piece of inanimate, plain fabric that scares you so much?I love you, Tommy.
(via jowzeph)